This work is based on the artwork Madonna and Child Surrounded by Musical Angels by 15th-century Italian painter Cosmê Tura. The rigid and nervous forms and dense color expressions in the paintings of the Italian Ferrara school, represented by Cosmê Tura, have had a great influence on the artist's view of painting.
In this work, in reference to the theme of the original work, he composed it in the style of an altarpiece with motifs that emit sounds in everyday life. By expressing an image that superimposes music with the sacredness of religion and the environmental sounds of everyday life, he tried to express the holiness in the profane and the profane in the holy.
This work is based on the artwork Madonna and Child Surrounded by Musical Angels by 15th-century Italian painter Cosmê Tura. The rigid and nervous forms and dense color expressions in the paintings of the Italian Ferrara school, represented by Cosmê Tura, have had a great influence on the artist's view of painting.
In this work, in reference to the theme of the original work, he composed it in the style of an altarpiece with motifs that emit sounds in everyday life. By expressing an image that superimposes music with the sacredness of religion and the environmental sounds of everyday life, he tried to express the holiness in the profane and the profane in the holy.